Pity about the storyline. Same old same-old.

~ Angus Wolfe Murray -

Pity about the storyline. Same old same-old.

~ Angus Wolfe Murray -

Visually, as well as in certain performances, the final instalment of Disneyworld Goes Hollywood has a healthy infusion of surrealism and a sense of humour.

~ Angus Wolfe Murray -

Visually, as well as in certain performances, the final instalment of Disneyworld Goes Hollywood has a healthy infusion of surrealism and a sense of humour.

~ Angus Wolfe Murray -

Global Economic Crash: The Musical.

~ Jennie Kermode -

Global Economic Crash: The Musical.

~ Jennie Kermode -

Comedy aside, the story hinges on cunning plans and double bluffs that, when they work, are very effective indeed.

~ Jennie Kermode -

Comedy aside, the story hinges on cunning plans and double bluffs that, when they work, are very effective indeed.

~ Jennie Kermode -

Chow Yun-Fat is cool, charismatic and compelling, as always.

~ Keith Hennessey Brown -

Chow Yun-Fat is cool, charismatic and compelling, as always.

~ Keith Hennessey Brown -

Tries to stick closely to the Manga fans love and yet also make itself legible to newcomers, failing on both counts.

~ Jennie Kermode -

Tries to stick closely to the Manga fans love and yet also make itself legible to newcomers, failing on both counts.

~ Jennie Kermode -

Shakespearian, dynastic tragedy on an operatic scale

~ Max Crawford -

Shakespearian, dynastic tragedy on an operatic scale

~ Max Crawford -

The plot is generally weak and at times would verge on the incomprehensible if you hadn’t seen the first Tomorrow.

~ Paul Griffiths -

The plot is generally weak and at times would verge on the incomprehensible if you hadn’t seen the first Tomorrow.

~ Paul Griffiths -